I completed a BA (Hons) in musicology, music psychology and education 2003, at the University
of Stockholm, Sweden. I have since 2004 been a PhD Candidate at the Department of Music, University of Sheffield, under supervision
by Dr Nicola Dibben http://www.shef.ac.uk/music/staff/academic/ndibben/index.html
CV
PhD Candidate with extensive research and teaching skills, and experience both from within and outside
of academia. Expertise in Music Psychology, Musicology, Learning and Language. Languages
spoken include Swedish (native) and English.
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EDUCATION
Department
of Music, University of Sheffield, UK
(Oct’04-Present)
PhD Research Degree in Music Psychology; Research into the effects of music
listening in offices on work performance and well-being, listening practices in office environments and the functions
of music in ofices. Research Training Program (including quantitative and qualitative research techniques, communication skills,
project management skills, problem-solving skills, organisational skills, report-writing skills, presentation skills, creating
funding applications, critique of research).
Department of Educational Studies, University of Sheffield, UK (Oct’05-Jun'07)
Postgraduate Certificate in Higher Education; teaching strategies, facilitation of learning for groups and individuals in higher education, supervision, evaluations,
educational research theories and methods, critical evaluation, team work, communication skills, organisation skills, presentation
skills.
Department of Music, University of Stockholm, Sweden (Jan’00- Feb’03)
Degree of Bachelor of Arts (Hons) with a major in musicology;
Musicology Basic Course (grade: Pass with distinction), Intermediate Course
in Musicology (grade: Pass with distinction), Advanced course in Musicology (grade: Pass), Psychology of music AI, AII, BI
& BII (grade: Pass with distinction), Basic course in Education (grade: Pass).
No overall grade is given for a Swedish University degree. The following grades can be used: Pass with
distinction, Pass or Fail.
Studied music psychology at University of Uppsala for Professor Alf
Gabrielsson, Ass Professor Patrik Juslin, and Dr Erik Lindstrom.
EXPERIENCE
Flying Start Programme for Women Entrepreneurs (Jan'08-current)
http://www.flyingstart-ncge.com/women/
http://www.flyingstart-ncge.com/newwomen/uploads/profiles/Anneli%20Beronius%20Haake.pdf
Undergraduate Teaching, Department of Music, University of Sheffield, UK (Oct’05-Jun'07); Graduate Teaching Assistant – seminar leader for undergraduate students with a focus on
critical thinking, communication and presentation skills, study skills.
Dissertation supervisor – supervisor for three third-year students’ dissertations Feb-May 2006
Language Teaching, Nottingham, UK (Jul’05-Present); Swedish Language Coach –
Teaching adult students one to one in person or via internet/phone. http://www.language-school-teachers.com/TeacherInfo.asp?uid=3200
Softitler, Florence, Italy (Aug’05-Present); Swedish Translator – Translation and proof reading of films and DVD’s via internet.
Music Museum, Stockholm, Sweden (Jan’04- Mar’06); Academic Expert
Member – Developed an exhibition on gender and music. Presented my part of the exhibition 12 Mar’06 at the museum.
Powergen, Nottingham, UK (Oct’03-Sep’04); Final Accounts
Analyst – Analysing debt accounts and responsible
for training and education of new starters in the team.
The Temple, Auckland, New Zealand (Jun’03);
Giving a workshop in music psychology for the
Temple Musicians Career Development Programme
Sonic Interactive Institute, Piteå, Sweden (Jan’03-Jun’03); Research member in BioFeedback music-project - Evaluation of music psychology research, education of staff
in music psychology theories and responsible for network contacts in the music psychology area in Sweden.
Jobs before ‘03: various full-time and part-time roles in Stockholm, Sweden, including administrative assistant, receptionist, family planning
educator, youth recreation leader and roles within customer service.
CONFERENCE PAPERS & ACADEMIC PRESENTATIONS
Up and coming:
Previous:
Music, Sound and the Reconfiguration of Public and Private Space, Centre for Research in
the Arts, Social Sciences and Humanities, University of Cambridge (18-19 Apr'08); "The experience of music in office-based
workplace settings", joint paper with Nicola Dibben
http://www.crassh.cam.ac.uk/events/70/
Empirical Musicology Conference, Institute for Musical Research, University of London (2-3
Apr'08); "Empirical approaches to examine the use of music listening in offices", oral presentation http://music.sas.ac.uk/imr-events/imr-conferences-colloquia-performance-events/sempre-conference.html#c1334
Charm/RMA Annual Conference on "Musicology and
Recordings", Royal Holloway, University of London, UK (13-15 Sept'07); "Individualised listening to recorded music
in workplaces" - oral presentation.
Seminar Series, Institute of Work Psychology,
University of Sheffield, UK (20
Jun’07); “Music-listening practices in offices in the UK – presentation of PhD research”, oral presentation.
13th
European Congress of Work and Organisational Psychology, Stockholm, Sweden
(9-12 May’07); “Perceived functions of music listening in British offices and their relation to well-being
and work performance”, oral presentation.
http://www.eawop2007.org Organised by: European Association of Work and Organisational Psychology (EAWOP)
Spring Seminar Series, Department of Psychology, University of Uppsala, Sweden (10 May’07); “Music
at work increases well-being?”, oral presentation.
CAMARG (Cultural and Media Analysis Research Group)
seminar series, Department of Social Sciences, University of Loughborough, UK (26 Apr’07); “Music-listening
practices in offices in the UK –
empirical data on the effects of self-selected listening in office environments”, oral presentation.
Music Therapy Forum,
Frost School of Music, University of Miami, USA (6
Apr’07); “Music-listening practices in offices in the UK – presentation of PhD research”, oral presentation.
Conference
on Music and Medicine, Edinburgh, UK (21 Oct’06); ”Music-listening
practices in offices in the UK and their relation to well-being”, poster presentation. http://www.sempre.org.uk/conf_details.html?id=30 Organised by: Society for Education, Music and Psychology Research (SEMPRE)
9th International Conference on Music Perception and Cognition, Bologna,
Italy (22-26 Aug’06); ”Music listening practices in workplace settings in the UK”, oral presentation, joint paper with
Dr Nicola Dibben. http://www.icmpc2006.org/
Organised by: European Society for the Cognitive Sciences of Music (ESCOM)
OTHER
ESCOM Young Researcher Award 2006: for the conference proceedings article ” Music listening practices in workplace settings in the UK: an exploratory survey of office-based settings”
(see under 'My research'). Full-length article was submitted Dec 2007 to Musicae Scientiae. http://musicweb.hmt-hannover.de/escom/english/awards2006.htm
Computer literacy: Excellent knowledge of Word, PowerPoint, Excel, SPSS, NVivo
and EndNote, experience with in-house and bespoke software systems.
Languages: Fluent in English and Swedish.
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