Music at work
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I completed a BA (Hons) in musicology, music psychology and education 2003, at the University of Stockholm, Sweden. I have since 2004 been a PhD Candidate at the Department of Music, University of Sheffield, under supervision by Dr Nicola Dibben http://www.shef.ac.uk/music/staff/academic/ndibben/index.html
 

CV

PhD Candidate with extensive research and teaching skills, and experience both from within and outside of academia. Expertise in Music Psychology, Musicology, Learning and Language.  Languages spoken include Swedish (native) and English.

EDUCATION

 

Department of Music, University of Sheffield, UK (Oct’04-Present)

PhD Research Degree in Music Psychology; Research into the effects of music listening in offices on work performance and well-being, listening practices in office environments and the functions of music in ofices. Research Training Program (including quantitative and qualitative research techniques, communication skills, project management skills, problem-solving skills, organisational skills, report-writing skills, presentation skills, creating funding applications, critique of research).

 

Department of Educational Studies, University of Sheffield, UK (Oct’05-Jun'07)

Postgraduate Certificate in Higher Education; teaching strategies, facilitation of learning for groups and individuals in higher education, supervision, evaluations, educational research theories and methods, critical evaluation, team work, communication skills, organisation skills, presentation skills.

 

Department of Music, University of Stockholm, Sweden (Jan’00- Feb’03)

Degree of Bachelor of Arts (Hons) with a major in musicology;

Musicology Basic Course (grade: Pass with distinction), Intermediate Course in Musicology (grade: Pass with distinction), Advanced course in Musicology (grade: Pass), Psychology of music AI, AII, BI & BII (grade: Pass with distinction), Basic course in Education (grade: Pass).

 

No overall grade is given for a Swedish University degree. The following grades can be used: Pass with distinction, Pass or Fail.

 

Studied music psychology at University of Uppsala for Professor Alf Gabrielsson, Ass Professor Patrik Juslin, and Dr Erik Lindstrom.

 

EXPERIENCE

 

Flying Start Programme for Women Entrepreneurs (Jan'08-current)

http://www.flyingstart-ncge.com/women/

http://www.flyingstart-ncge.com/newwomen/uploads/profiles/Anneli%20Beronius%20Haake.pdf

 

Undergraduate Teaching, Department of Music, University of Sheffield, UK (Oct’05-Jun'07); Graduate Teaching Assistant – seminar leader for undergraduate students with a focus on critical thinking, communication and presentation skills, study skills.

Dissertation supervisor – supervisor for three third-year students’ dissertations Feb-May 2006

 

Language Teaching, Nottingham, UK (Jul’05-Present); Swedish Language Coach – Teaching adult students one to one in person or via internet/phone. http://www.language-school-teachers.com/TeacherInfo.asp?uid=3200

 

Softitler, Florence, Italy (Aug’05-Present); Swedish Translator Translation and proof reading of films and DVD’s via internet.

 

Music Museum, Stockholm, Sweden (Jan’04- Mar’06); Academic Expert Member – Developed an exhibition on gender and music. Presented my part of the exhibition 12 Mar’06 at the museum.

 

Powergen, Nottingham, UK (Oct’03-Sep’04); Final Accounts Analyst Analysing debt accounts and responsible for training and education of new starters in the team.

 

The Temple, Auckland, New Zealand (Jun’03); Giving a workshop in music psychology for the Temple Musicians Career Development Programme

 

Sonic Interactive Institute, Piteå, Sweden (Jan’03-Jun’03); Research member in BioFeedback music-project - Evaluation of music psychology research, education of staff in music psychology theories and responsible for network contacts in the music psychology area in Sweden.

 

Jobs before ‘03: various full-time and part-time roles in Stockholm, Sweden, including administrative assistant, receptionist, family planning educator, youth recreation leader and roles within customer service.

 

CONFERENCE PAPERS & ACADEMIC PRESENTATIONS

 

Up and coming:

 

Previous:

 

Music, Sound and the Reconfiguration of Public and Private Space, Centre for Research in the Arts, Social Sciences and Humanities, University of Cambridge (18-19 Apr'08); "The experience of music in office-based workplace settings", joint paper with Nicola Dibben

http://www.crassh.cam.ac.uk/events/70/

 

Empirical Musicology Conference, Institute for Musical Research, University of London (2-3 Apr'08); "Empirical approaches to examine the use of music listening in offices", oral presentation http://music.sas.ac.uk/imr-events/imr-conferences-colloquia-performance-events/sempre-conference.html#c1334

 

Charm/RMA Annual Conference on "Musicology and Recordings", Royal Holloway, University of London, UK (13-15 Sept'07); "Individualised listening to recorded music in workplaces" - oral presentation.

 

Seminar Series, Institute of Work Psychology, University of Sheffield, UK (20 Jun’07); “Music-listening practices in offices in the UK – presentation of PhD research”, oral presentation.

 

13th European Congress of Work and Organisational Psychology, Stockholm, Sweden (9-12 May’07); “Perceived functions of music listening in British offices and their relation to well-being and work performance”, oral presentation. http://www.eawop2007.org Organised by: European Association of Work and Organisational Psychology (EAWOP)

 

Spring Seminar Series, Department of Psychology, University of Uppsala, Sweden (10 May’07); “Music at work increases well-being?”, oral presentation.

 

CAMARG (Cultural and Media Analysis Research Group) seminar series, Department of Social Sciences, University of Loughborough, UK (26 Apr’07); “Music-listening practices in offices in the UK – empirical data on the effects of self-selected listening in office environments”, oral presentation. 

 

Music Therapy Forum, Frost School of Music, University of Miami, USA (6 Apr’07); “Music-listening practices in offices in the UK – presentation of PhD research”, oral presentation.

 

Conference on Music and Medicine, Edinburgh, UK (21 Oct’06); ”Music-listening practices in offices in the UK and their relation to well-being”, poster presentation. http://www.sempre.org.uk/conf_details.html?id=30 Organised by: Society for Education, Music and Psychology Research (SEMPRE)

 

9th International Conference on Music Perception and Cognition, Bologna, Italy (22-26 Aug’06); ”Music listening practices in workplace settings in the UK”, oral presentation, joint paper with Dr Nicola Dibben. http://www.icmpc2006.org/ Organised by: European Society for the Cognitive Sciences of Music (ESCOM) 

OTHER

 

ESCOM Young Researcher Award 2006: for the conference proceedings article ” Music listening practices in workplace settings in the UK: an exploratory survey of office-based settings” (see under 'My research'). Full-length article was submitted Dec 2007 to Musicae Scientiae. http://musicweb.hmt-hannover.de/escom/english/awards2006.htm

 

Computer literacy: Excellent knowledge of Word, PowerPoint, Excel, SPSS, NVivo and EndNote, experience with in-house and bespoke software systems.

 

Languages: Fluent in English and Swedish.

 

 

 

Anneli Beronius Haake * PhD Candidate * anneliberonius@hotmail.com *